By Steve Hullfish
The merely advisor to the paintings and means of colour correction according to the priceless wisdom of greater than a dozen of the pinnacle colorists on the planet. This booklet permits you unheard of entry to the way in which the masters of the craft procedure their work.
Containing many years of adventure colorist knowledge, this e-book offers an realizing of what top-tier colorists search for in a picture and the way they comprehend what to do to make it nice. that includes recommendations played in numerous colour correction software program functions (DaVinci unravel, Apple colour, man made Aperture's colour Finesse, and more), this e-book turns what has lengthy been a misunderstood "black paintings" right into a set of abilities that any colorist, editor, self sufficient filmmaker, or movement photographs artist can start to grasp. jam-packed with causes, guidance, and ideas that construct on each one other, you will find out how to:
* repair poorly uncovered photographs and pictures with colour casts
* create looks
* fit shots
* grasp basic and secondary colour correction techniques
* use colour correction to improve a story
This version includes
* An up to date DVD containing hours of video tutorials utilizing DaVinci get to the bottom of, prolonged interview transcripts and colour correction classes with the pro colorists featured within the publication
* a new tutorial-based bankruptcy, with better half venture documents at the DVD, so that you can paintings in addition to the text
* New perception from extra expert colorists, together with mythical colorists, Bob Festa, Stefan Sonnenfeld, and Pankaj Baipai, displaying you the 'hows' and 'whys' of every grade
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Extra info for The Art and Technique of Digital Color Correction
The default tab during this position is the fundamental tab, yet it's also possible to do corrections with the complicated tab. We’ll get into that later within the bankruptcy whilst discussing colour instruments, because the complicated tab is extra for making colour corrections than tonal corrections. a lot of using those particular instruments was once lined in bankruptcy 1 once we corrected the overexposed interview photos of Brian. The 3rd software for tonal corrections is to take advantage of the Curves controls, positioned in the course of the first In room (see Fig. 2-6). due to the fact that we’re in simple terms discussing tonal corrections during this bankruptcy, tonal corrections will be made utilizing the Luma curve, that's the ground correct keep watch over of the 4 curves. whereas the former equipment of controlling tone in Color’s basic In room enable keep an eye on over 3 tonal levels, the Luma curve lets you modify the black-and-white issues through relocating the ground and most sensible corners of the curve. It additionally permits a number of custom-selected issues in among these issues that may be adjusted in any path. For extra at the use of Curves, see the “Curves Tab” part later during this bankruptcy. Fig. 2-6 The Curves controls in basic In room. 37 38 Avid Symphony and colour Finesse HSL Controls Tab Avid Symphony and colour Finesse HSL Controls Tab D e f i n i t i o n Hue, Saturation, and Luminance (HSL): occasionally known as HSB, or hue, saturation, and brightness. For simple changes to tonal levels utilizing sliders or numerical values, Avid Symphony and colour Finesse have numerous recommendations reckoning on how a lot keep an eye on you must workout (see Fig. 2-7). the fast and soiled position to begin is the HSL Controls tab of the colour correction mode. There are literally a couple of sub-tabs during this sector. you could impact the grasp hue, saturation, and luminance (HSL) degrees, which come with controls for the grasp highlights, midtones, and shadows, otherwise you can achieve extra discrete keep watch over by means of adjusting a similar controls contained in the particular tonal levels. this implies you could regulate the highlights, midtones, and shadows of the highlights; the highlights, midtones, and shadows of the midtones; and the highlights, midtones, and shadows of the shadows. How are there highlights of shadows? There quite are not—instead of easily providing you with 3 tonal levels, the additional tabs allow you to limit your corrections to 9 discrete tonal levels: excessive highs, mid-highs, low highs, excessive mids, mid-mids, low mids, excessive shadows, mid-shadows, and occasional shadows. in case you have Symphony or colour Finesse, you will get a greater experience for a way a lot of these loopy “shadows of the highlights” and “highlights of the shadows” controls paintings through placing up the grayscale chip chart within the colour correction mode and observing your waveform video display as you alter all the controls. There are a few controls in this tab so you might now not use, even if they could appear to be the obvious ones first of all. The Hue and Saturation controls aren't rather for doing tonal corrections, so we’ll talk about these later. And as I already pointed out on the best of this part, Brightness and distinction quite restrict your keep watch over over particular tonal levels, when you consider that they impact all components of the image both.