By Tamara Levitz
Stravinsky and His World brings jointly a global roster of students to discover clean views at the lifestyles and track of Igor Stravinsky. Situating Stravinsky in new highbrow and musical contexts, the essays during this quantity shed helpful gentle on some of the most vital composers of the 20th century.
Contributors research Stravinsky's interplay with Spanish and Latin American modernism, reconsider the stylistic label "neoclassicism" with a bit at the ideological clash over his lesser-known opera buffa Mavra, and re-evaluate his connections to his fatherland, paying certain awareness to Stravinsky's stopover at to the Soviet Union in 1962. The essays additionally discover Stravinsky's musical and spiritual modifications with Arthur Lourié, delve into Stravinsky's collaboration with Pyotr Suvchinsky and Roland-Manuel within the genesis of his groundbreaking Poetics of Music, and view how the circulation inside of stasis glaring within the ratings of Stravinsky's Orpheus and Oedipus Rex mirrored the composer's fierce trust in destiny. infrequent documents--including Spanish and Mexican interviews, Russian letters, articles via Arthur Lourié, and infrequently noticeable French and Russian texts--supplement the quantity, bringing to lifestyles Stravinsky's wealthy highbrow milieu and excessive own relationships.
The participants are Tatiana Baranova, Leon Botstein, Jonathan go, Valérie Dufour, Gretchen Horlacher, Tamara Levitz, Klára Móricz, Leonora Saavedra, and Svetlana Savenko.
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Additional resources for Stravinsky and His World (The Bard Music Festival)
The Nightingale. A wonder of grace: poignant emotion in simplicity. yet notably, the symptom of a good swap. rather than richness and opulence got here the spirit of condensation, the ascetic spirit, the suggestion of the basic. directly to 1922. A meant decline of the Ballets Russes is usually lamented. considering the fact that, in fact, one pretends to overlook a section that Serge de Diaghilew staged Satie’s Parade throughout the battle, and that Derain58 and Picasso are excited about this paintings of the Ballets Russes. So every body complains after which, again to again, Renard and Mavra. In Renard, we see the appearance of objectivism, the precise cognizance of condensation. the general public has had time to get used to Petrushka, has post-Cubist painters, and now knows the importance of Renard good adequate. everyone seems to be very proud to be “up thus far. ” sadly, 8 days later, Mavra plunges the general public again into uncertainty, and this time the critics and musicographers lose their heads. the main surprised of all should have been Stravinsky himself, examining the pile of idiocies and nonsense written approximately Mavra by way of seemingly clever humans. Mavra used to be now not understood simply because Stravinsky had replaced back, and this time the turnaround used to be speedier and sharper than ever. Mavra is apparent, lucid, and comprises not anything disorienting. • 35 • WHO OWNS MAVRA? The little opéra-comique in query is intellectually opposite and against the previous works. Mavra is subjectively encouraged. In it, the writer is sentimental. Stravinsky seemed again this time to Glinka, Dargomyzhsky, and Tchaikovsky, to the period of crinolines and romances. don't imagine, although, that he amused himself by way of composing a pastiche, an “in the fashion of. ” The musician thoroughly recast the old fashioned and superseded opéra-comique. He focused its spirit, and what's extra, imposed upon it his strong character. The textual content itself is captivating and gives a digest of the whole style of soppy opéra-comique. Written by means of Boris Kokhno after one among Pushkin’s brief tales, the tale is as follows: The motion happens in a Russian petit bourgeois inside. a tender lady, Parrasia [sic],59 is on the window and sings a romance. Her loved, a tender hussar, appears to be like within the dealing with window. a bit duet starts among them, which ends up in the promise of a gathering. The younger girl’s mom arrives, nonetheless emotional after the hot loss of life of her prepare dinner. Parassia is going out to discover a alternative. whereas she is away, the mummy and a neighbor delight in their thoughts of and grief over the deceased. As they chatter, Parassia returns with a brand new cook dinner, who provides the identify “Mavra. ” She solutions their questions with modesty and kindness. in the course of a quartet shared through those characters, the contract is made: Mavra is employed. the mum and neighbor go out. Straightaway, Parassia falls into Mavra’s arms—the prepare dinner is none except the hussar in cover. Later, Parassia rejoins her mom to visit marketplace. Mavra, left by myself, desires basically of his happiness and sings of his effective love. but he turns into nervous .