By Elizabeth Grosz
Are our bodies horny? How? In what forms of methods? Sexy Bodies investigates the construction of sexual our bodies and sexual practices, of sexualities that are dyke, bi, transracial, or even hetero. It celebrates lesbian and queer sexualities but in addition explores what runs beneath and inside of all sexualities, studying what's essentially bizarre and unusual approximately all our bodies, all carnalities.
a gratifying number of cultural kinds and texts, the individuals ponder the actual charms of ladies and horses, from National Velvet to Marnie; talk about figures of the lesbian physique from vampires to tribades to tomboys; discover 'virtual' lesbians within the fiction of Jeanette Winterson; song wish within the tune of mythical Blues singers; and examine the ever-scrutinised and celebrated physique of Elizabeth Taylor. the gathering contains vital items of fiction through Mary Fallon and Nicole Brossard.
Sexy Bodies makes new connections among and among our bodies, cruising the borders of the obscene, the pleasant, the fascinating and the hitherto unstated rethinking sexuality anew as deeply and unusually attractive.
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Additional resources for Sexy Bodies: The Strange Carnalities of Feminism
In lesbian vampire horror movies, similar to Vampyres, the feminine fiends also are depicted as exact, even the blood that smears their lips turns out to trickle from exact mouths and fangs. modern model photos in magazines and store home windows additionally make the most the assumption of lady narcissism, utilizing versions wearing comparable outfits and comparable poses – occasionally stuck jointly in an embody – to promote their items. extra overt sorts of lesbian behaviour (butch–femme monitors) at the moment are extensively utilized, fairly as many more youthful lesbians, who've rejected the lesbian refusal of favor linked to the Seventies, prefer to discover model probabilities. even if the final purchasing public reads lesbianism into those ads is one other topic. In her dialogue of lesbian consumerism, Danae Clark issues out that advertisers, as a question of wide awake coverage, now try and attract the homosexual group via what they describe as ‘code behaviour’ that simply gays might comprehend: ‘If heterosexual shoppers don't detect those subtexts or subcultural codes, then advertisers may be able to succeed in the gay marketplace besides the heterosexual industry with no ever revealing their objective’ (Clark 1991: 183). besides the fact that, photographs that take advantage of the thought of the feminine/lesbian narcissism draw on a miles older culture than that represented within the modern style undefined. If this custom means that lady is, by way of her very nature, useless, the lesbian couple represents, by way of definition, female narcissism and autoeroticism par excellence. In a bankruptcy entitled, ‘The Lesbian Glass’, Dijkstra (1986) discusses the preferred trust, championed through Havelock Ellis, that girls are useless, narcissists in a position to thoroughly wasting themselves in self-admiration. Turn-of-the-century scientific writers pointed to the intended connection among masturbation in girls, narcissism and lesbianism. Masturbation elevated the dimensions of the clitoris; the lady with a wide clitoris was once prone to develop into a lesbian and to interact in these ‘excesses’ referred to as ‘lesbian love’ (Gilman 1985: 89). in keeping with Dijkstra, ladies have been painted kissing themselves in mirrors – useless, self-absorbed, thoroughly tired of males: ‘Woman’s wish to include her personal mirrored image, her “kiss within the glass”, turned the flip of the century’s brand of her enmity in the direction of guy’ (ibid. : 150). Dijkstra cites the eponymous heroine of the movie, Lulu, performed by means of Louise Brooks, the infamous femme fatale whose good looks draws either women and men, is depicted as a totally self-absorbed narcissist. At one aspect she says: ‘When i glance at myself within the reflect I want I have been a guy… my very own husband. ’ ladies have been additionally depicted in turn-of-the-century portray, kissing different girls, yet such used to be the character of male conceitedness, they argued that once a lady kissed one other lady it was once like kissing herself. the opposite girl symbolized her personal mirrored image. Dijkstra (1986) issues out, even though, variety of artists and intellectuals, prepared to teach they have been abreast of the days, intentionally got down to symbolize lesbian fans in works similar to the 2 pals by way of Egon Schiele and After the bathtub by way of Pierre-Georges Jeanniot.