By Linnell Secomb
Philosophy and Love introduces readers to philosophical reflections on love from Plato to the current. Bringing philosophy including renowned cultural research, Linnell Secomb presents an attractive and fascinating account of theories of affection all through heritage. alongside the best way, reflections on same-sex wish, cross-cultural love, and net romance are thought of opposed to the guidelines of Nietzsche, Beauvoir, Irigaray, Derrida, and Fanon, and different modern cultural commentators at the human . The paintings additionally seems to be at cultural productions of affection starting from Sappho to Frankenstein through concentrating on archetypal tales of affection and love long past mistaken. Philosophy and Love unearths an ethics and politics of affection that discloses the paradoxes, conflicts, and depth of human love relations.
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Extra resources for Philosophy and Love: From Plato to Popular Culture
Nietzsche’s fragmentary statement on love and friendship has been interpreted in several methods. Irving Singer, in his 1987 3rd quantity of the character of affection describes Nietzsche’s notion of affection as dialectical and means that this flow among opposing views is resolved in Nietzsche’s later works the place he conceives love as constructing from passionate fatality to spiritualised love. Singer contends that the seeming contradictions in Nietzsche’s paintings could be triumph over via opting for a innovative narrative wherein the hazards inherent in love are outdated via a better ‘spiritualised’ love (Singer 1987: 84). This developmental interpretation (that echoes in a few respects the Socratic evolutionary version) dangers, even if, obscuring the insights provided in Nietzsche’s formulations. Paradoxical Passions in Shelley and Nietzsche 35 unlike Singer, Alexander Düttmann’s interpretation of Nietzsche insists at the valuable paradoxes working within the event of affection. Düttmann’s Nietzsche conducts a genealogical research into the origins of affection in simple terms to discover hidden and disavowed ideals, values and attitudes because the motivation of affection. Nietzsche is mainly scathing approximately women’s motivations in love (as we've seen) even though he's rarely much less serious of the typical man’s perspective. Woman’s love is, for Nietzsche, a ‘finer parasitism’ that exists ‘at the cost of the host’ (qtd in Düttmann 1993: 286). Love isn't really selflessness, as is usually believed, yet a selfinterested egoism (ibid. : 292). furthermore, love, in Nietzsche’s view, is an phantasm created to fill our event of lack (ibid. : 288). yet satirically it really is those very attributes, which we such a lot vehemently deny, which can very likely develop into the foundation of a joyous love characterized by way of abundance, creativity and transformation. If love is based on a sense of lack and deprivation this additionally inaugurates a ‘wanting-more’ that could be the foundation of a ‘divine’ in place of a ‘slavely’ love (ibid. : 289). This ‘wanting-more’ isn't really to be understood as a hope for extra love that may supply fulfilment and thereby conquer the adventure of lack. relatively ‘wanting-more’ is a hope for greater than this settled and selfsatisfied love; it's a wish for ‘transformation and metamorphosis’; it's a circulate attaining past the sameness of the self towards the surface, the several, and the opposite. it's, Düttmann writes: ‘the originary starting of otherness which by no means has the soundness of a set or a solving Being’ (ibid. : 294). Düttmann adroitly identifies the effective paradox in Nietzsche’s pondering on love. Lack creates a necessity for extra for you to now not be chuffed by means of the inducements of a standard, cozy, good, love-relation yet will in its place regularly look for a past, for an artistic, remodeling distinction. Lack then results in love as wanting-more. furthermore, this additionally produces an abundance and giving-away: If love wishes greater than love, it's characterized via an absence. with no lack there's no wanting-more that opens as much as the opposite and hence creates and metamorphoses the opposite.