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Extra info for L'Année dernière à Marienbad (Last Year in Marienbad) [BFI Film Classics]
18, Octoher 1961, p. forty four. 12 Alajn Robbe-Grillet, 'Temps et descríption dans le roman d 'auhourd 'hui', jn Pourun nouveau roman (Parjs: Gallimard/ldées, 1963), p. 161. thirteen Benayoun, Alain Resnais, p. eighty four. 14 'Avant L'Année demi're aMarienbad', jnterview with Nicole Zand, France-Observateur, 18 might 1961, p. 25. 15 Jean-Daniel Roob,Alaín Resnaís, qui hesvous? (Lyon: los angeles Manufacture, 1986), p. 116. sixteen Ibid. , p. 116. 17 L'Arcno. 31, 1990, p. fifty eight. 18 Sacha Vierny jn interview with Hubert Jujn, 'Quatre de Marienbad', Les Lettres franfaises no. 895, 5-11 October 1961. ? a 19 assertion by way of Philippe Brun, L'Arc no. 31, p. sixty two. 20 In Fran90is Thomas, L 'A telier d'Alaín Resnais (Paris: Flammaríon, 1989), p. a hundred and fifteen. AIso see the interview with Jacques Saulnier, Positif nos 329-30, July-August 1988, p. forty two. 21 Jacques Saulnjer, p. forty two. 22 Thomas, L'Atelier, p. a hundred and forty four. 23 assertion by means of Philippe Brun, p. 189. 24 Sacha Vierny, In Thomas, L'Atelier, pp. 172-3. 25 Thomas, L'Atelier, pp. 190-1. 26 Hubert Juin interview, 'Quatre de Manenbad' . 27 L'Arcno. 31,pp. 66-7. 28 Hubert Juin jnterview, 'Quatre de Manenbad' . 29 See the musician's assertion in 'Quatre de Marienbad' . 30 An actor In either Hiroshima mon amour and L'Année demiere aMarienbad, he makes an visual appeal in los angeles Guerre estfinie. 31 Bernard Pingaut, L'Arcno: 31, p. eighty two. 32 Ibid. , pp. 82-3. 'I'd requested Delphine Seyríg to prevent aH tonality at specific moments jn L'Année demiere aMarienbad (1 did not comprehend, after all, in regards to the limited modes of transposition invented by means of Messiaen, yet 1was expenencing tbem at a physlCallevel, and because Messlaen used to be our proposal 1 stumbled on those difficulties again)', jn Thomas, L'Atelier, p. 260. 33 Jacques Saulmer, in Thomas, L'Atelier, p. 116. 34 Roob, Alatn ResnalS, p. 133. 35 Nicole Zand interview, France-Observateur, p. 24. 36 Benayoun,Alain Resnais,p. l03. 37 and probably dueto the facttbat he'd met De1phine Seyng in manhattan whereas she was once performlng in one other Ibsen play, An Enemy o/ the folk. 38 while chatting with Resoais of the identify of the play, Rosmer, he claimed to not have had Ibsen in brain: 'I' d tbought, might be, of Jean Rosmer, a favored novelist of the mid-20s', in Posítifnos 329-30, p. 22. 39 Sylvette Baudrot, in Thomas, L'Atelier, p. 152. forty L'Arcno. 31, p. 37: forty-one Ibid. , p. sixty six. forty two Jacques Saulmer, p. forty three. forty three Ibid. , p. fifty five. Like tbe otber units, tbe hall used to be developed within the Photosonor Studios 'where this was once tbe final movie yet one shot sooner than tbeir demolition', cf. ibid. , p. forty two. forty four assertion by way of Sylvette Baudrot, in Thomas, L'Atelier, p. 157. See additionally L'Arc no. 31, p. fifty one. forty five Alajn Robbe-Grillet, L'Année demiere a Marzenbad (Pans: Éditions de Minuit, 1961), p. 28. forty six Ibid. , p. 33. forty seven L'Arcno. 31, p. fifty five. forty eight Hubert Juin interview,'Quatre de Maríenbad' . forty nine Suzann~Liandrat-Guigues,'Des statues et des films', Cinématheque no. 6, Autumn 1994, pp. 46-7. The citation is from Claude Ollier, Souvemrs éeran (Paris: Cahiers du Cinéma/Gallimard, 1981), p. a hundred and fifty. 50 Robbe-Grillet, L'Année demiere, p. 23. fifty one One observes that tbe names (separate or In o (/l teams) can be found less than, on the most sensible, to the appropriate and to the left, or occasionally focused, and so on.