By Michael Wohl
This identify was once written and released to ultimate minimize professional model 10.0.3 on OS X Lion model 10.7 in April 2012. vital be aware: Lesson records and a few content material during this identify don't paintings with the later software program versions. Please discuss with the newest name overlaying this software program: Apple professional education sequence: ultimate lower professional X 10.2: specialist Post-Production by means of Brendan Boykin.
In this Apple-authorized advisor, director and filmmaker Michael Wohl teaches the complex abilities that modifying execs want to know such a lot. utilizing compelling expert photos, Wohl promises a accomplished path on ultimate reduce professional X v 10.0.3.
- Includes downloadable lesson and media files
- Focused classes take you step by step via specialist, real-world projects
- Accessible writing sort places a professional teacher at your side
- Ample illustrations and keyboard shortcuts assist you grasp thoughts fast
- Lesson ambitions and time estimates assist you plan your time
Read or Download Apple Pro Training Series: Final Cut Pro X Advanced Editing PDF
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Extra resources for Apple Pro Training Series: Final Cut Pro X Advanced Editing
Pick out Waveform, after which from the Settings pop-up menu of the video scope, pick out Luma. during this shot, the sunshine falling throughout the window onto the wall may be brighter, which might make the general shot much less murky. eleven. click on publicity, and drag up the Highlights keep watch over until eventually the common highlights such as the smoke detector simply contact a hundred. the various small, faint spikes comparable to the height highlights now fall above a hundred; yet these aren't major info. It’s okay in the event that they are clipped (or bring to a halt) via a next adjustment or impression that you just practice, akin to the published secure influence (more on that later). because it is, the shadows have a delightful, gentle caliber; but when you desired to create a tougher, starker picture with extra distinction, you may drop the shadows down even reduce. 12. Drag down the Shadows regulate until eventually the ground of the graph is on the similar of five at the waveform scale. * * * word you'll be pondering why the values at the scale are published in increments of 25. With so much grades, the one values that truly subject are the outer obstacles of zero and a hundred. every little thing within the center is relative. What’s very important is how issues glance, instead of the suitable quantity values of the sign. for this reason, those workouts have loads of wiggle room. * * * Now that you’ve accomplished a delightful point of distinction within the snapshot, it’s time to contemplate the colour. thirteen. within the colour Board, click on colour, after which from the Settings pop-up menu of the video scope, decide upon RGB Parade. The RGB Parade scope indicates the relative strengths of every of the 3 basic colour channels of a picture. For the present clip, the tops of the 3 colour waveforms are wildly imbalanced, and the bottoms are virtually completely balanced. This exhibits that the highlights and midtones have an important colour solid, and the shadows are impartial. 14. to minimize many of the blue within the highlights, drag the Highlights colour keep an eye on down into the “negative” blue sector. easily dragging over the colour you must cast off is sweet for making small adjustments, but when you need to make higher, extra exact alterations, you want to make changes whereas staring at the RGB Parade scope. 15. Drag the Highlights regulate down round the “negative” blue zone of the colour Board until eventually the head of the common highlights of the blue waveform simply touches seventy five, and the head of the common highlights of the golf green waveform lies completely among the crimson and blue waveforms. the picture remains to be a funky blue, however the blue is now even more refined than it was once initially. even if, in making such an severe adjustment, you’ve became the shadows a section orange. It’s sophisticated, but when you examine the bottoms of the waveforms within the RGB Parade, you might want to realize that the crimson channel is increased and the blue channel is depressed. sixteen. Drag the Shadows colour keep watch over towards unfavourable orange, till the bottoms of the RGB Parade waveforms are point. Now that the bottoms of the 3 waveforms line up, the shadows are well impartial. in case you go back to the Video Inspector and switch Correction 1 on and off, you’ll see a dramatic before-and-after of this adjustment.