By J. Hoberman
The years among 1946 and 1956 introduced U.S. dominance over Europe and a brand new struggle in Asia, in addition to the delivery of the civil rights move and the stirrings of a brand new adolescence tradition. The interval observed the motion picture purged of its political left whereas the increase of ideological motion hero John Wayne got here to dominate theaters. examining videos and media occasions, Hoberman has geared up a competition of cavalry Westerns, apocalyptic sci-fi flicks, and biblical spectaculars in which Cecil B. DeMille rubs shoulders with Douglas MacArthur, atomic checks are proven on dwell television, God talks at the radio, and Joe McCarthy is bracketed with Marilyn Monroe. here's a historical past of movie that also is, to paraphrase Jean-Luc Godard, concerning the movie of history.
Essential analyzing for movie and historical past buffs, An military of Phantoms recasts a vital period within the mild of the silver screen.
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Additional resources for An Army of Phantoms: American Movies and the Making of the Cold War
Houseman, now in Hollywood, RKO’s new head, Dore Schary, in an edition of the proletarian novel Thieves Like Us, and Ray grew to become the director and adapter. ultimately titled They reside by means of evening, this combination of late-1930s well known entrance sentimentality and late-1940s romantic fatalism used to be in creation in the course of the summer time of 1947; it'll hence develop into a haunting allegory of Hollywood’s misplaced innocence, partly as the doomed, painfully naive fanatics have been performed by way of key younger actors. Farley Granger first seemed because the teenage partisan within the North famous person, blinded in security of the motherland, whereas Cathy O’Donnell plucked the nation’s heartstrings in her debut because the handless conflict veteran’s devoted sweetheart within the most sensible Years of Our Lives. In early 1948, Ray made A Woman’s mystery for RKO, and the subsequent summer time he directed Humphrey Bogart within the Columbia unencumber Knock on Any Door. a few months later, a personal resource advised the FBI that Ray (an affiliate of “persons strongly suspected of Communist connections”) will be assigned to I Married a Communist. Ray really took the activity after which hand over. regardless of this, he might hold, Howard Hughes secure him. Ray’s resource was once Robert Mitchum, an RKO agreement superstar busted for marijuana ownership in 1948 and sentenced to a two-month stretch in an honor farm. “A man out of the DA’s place of work had advised [Mitchum] in a drunken second that my place of work, my condominium, my vehicle, my every thing were bugged to teeth, and that Howard Hughes had realized approximately it, and had known as his government manufacturer, Sid Rogell, and acknowledged he sought after the entire insects and harassment taken off Nick Ray: ‘I don’t wish that boy harm. ’ And he requested not anything in go back. ” nonetheless, Ray didn’t get one other project from Hughes for over a yr, till may well 1949, while he was once assigned to the Joan Fontaine melodrama ultimately published as Born to Be undesirable for RKO. a number of months later, he was once loaned to Columbia to direct In a Lonely position, back with Bogart. operating from and considerably altering Dorothy B. Hughes’s crime novel, Ray emphasised the Hollywood surroundings and used the motion picture as a method to critique the star’s tough-guy character. Bogart have been bruised within the press for his widespread position within the Committee for the 1st modification. might be nonetheless smarting from his embarrassing volte-face, together with an admission that he have been a Communist dupe, Bogart performs an embittered author whose occupation has foundered now not due to his left-wing politics, yet as a result of his heavy consuming, undesirable angle, and negative mood. development in depth, In a Lonely position is the tale of a author who attempts to alter his (if no longer the) global and is finally betrayed through his personal nature. For Ray, Bogart was once “much greater than an actor. ” He used to be a logo, “the very photograph of our situation [whose] face used to be a residing reproach. ” the outlet scene—set in a modern Beverly Hills boîte modeled after Bogie’s lunchtime clubhouse, Romanoff’s—allows Hollywood’s then-best-paid actor to mock his agent, insult a winning director (“You’re a popcorn salesman”), and bodily attack the son of a studio head (“You provide nepotism a foul name”).